About

Momo’s is a live music venue located in Austin, Texas featuring live music seven nights a week. Momo’s showcases a diversity of musical styles. No pigeonholes here.   Bluegrass : Soul : Pop : R&B : Americana : Electronica : Rock : World Music : Singer/Songwriter : French Pop Fusion *you get the picture*.   Momo’s is run by Paul Oveisi who is committed to bringing you real live music, a blend of established touring acts and a select few developmental artists.

Smoking is only allowed on the huge outdoor deck that overlooks the entire Austin City Skyline. The stage is easily visible and audible from both inside and outside.

Cover charge usually ranges from $5 to $15 depending on the night and covers the entire night of music. 18 and up are always welcome (under 18 must be accompanied by parent/legal guardian). Contact us for more info: info@momosclub.com)

Booking Information:

Please contact paul@momosclub.com.   Save paper and postage by sending an electronic press kit and/or a link to your website(s).  Paul and/or his crew listens to pretty much everything sent electronically.

Press:

Austin American-Statesman, Joe Gross, November 19, 2008, article on Paul’s work with live music

News 8, Andy Langer talks to Momo’s owner Paul Oveisi about celebrating 9 years as a venue

Austinist story and interview

KUT 90.5 FM Texas Music Matters audio of David Brown story on Momo’s with artist interviews

Quotes:

“Happy 9th anniversary and thanks for being an important part of Austin’s live music  scene. Thanks especially to Paul Oveisi for all the extra hours he offers the City through his service on the Live Music Task Force and on the Music Commission. Happy anniversary and best wishes for continued success.”

— Randi Shade, Austin City Council, Place 3

“Paul is one of the last club owners in Austin that still cares about live music. He spends much of his free time at City Hall fighting to preserve Austin’s live music scene and to improve the quality of life for the musicians.”

— multi-instrumentalist-composer Warren Hood

“I moved to Austin New Year’s Eve 2005. Within two days, I had a job running sound at Momo’s, and within a week I had a residency playing every Monday night. A couple of months later, when it got time to put a band together, I didn’t even get farther than the staff who worked as doorguys, bartenders and sound engineers. Momo’s is an absolute creative hotbed which has provided a source of inspiration and served as a home for this little community of ours. Hanging around the joint, I always get the feeling that we’re onto something important.”

— singer-songwriter Dustin Welch

“Playing Momo’s has always felt like playing in my living room to me. Paul’s commitment to having a great venue for both the bands and the audience is what makes Momo’s so successful. And it’s important that they’ve always been open to booking new talent. Paul helps support the creative force in this town.”

— singer-songwriter James Hyland

“Paul, Thank you for all your contributions as chair of the Live Music Task Force and as a member of the City of Austin’s Music Commission. Your dedication and continued leadership is making a difference in our community. Happy 9-year Anniversary!”

— Laura Morrison, Austin City Council

Address:

Momo’s
618 West 6th Street, Suite 200
Austin, TX 78701
<click here for map>

club phone # 512.479.8848

for all business matters/private parties, contact paul@momosclub.com

Private Parties and Facility Rental

We typically book several months in advance so the sooner you contact us, the better.

email paul@momosclub.com

Musican FAQ’s

what time should we load in/sound check?

we typically do a line check, please arrive at least 45 minutes before your scheduled start time

where do musicians load in?

use the rear stairwell in the alley behind momos. please load all gear directly to the designated gear area near the stage. because indoor space is limited, we ask that you please load gear out after your set.

where do i park?

there is free parking on rio grande, 7th and the streets to the north. there is also a pay parking lot directly behind momos and multiple pay parking lots within a 3 block radius. there is also valet service available on 6th directly underneath momo’s (in front of Katz Deli).

what are you PA/sound system specs?

Monitors

  • 4 mixes x 4 Yamaha SML15v

Mixer

  • Allen & Heath GL-2000 | 22 mic ch | 2 stereo ch |4 groups |6 aux 4 monitor (pre-EQ, pre-insert) 2 FX |direct record outs (pre-EQ, pre-insert) each mic ch. 1/4′

Mains

  • Soundbridge 15′ w/ 2′ horn  for highs | 2 x JBL 18′ sub

Microphones

  • Audio-Technica

model       #    used for:
atm-410    4    vocals
atm-650    3    amplifiers
atm-250    2    floor tom, bass amp, bass percussion, horns
atm-2500  1    kick drum, cajon, percussion
atm-450    1    drum kit overhead, acoustic instrument

  • Sennhieser

e-614        1   hi-hat, acoustic instrument
604          3    snare, rack-tom, horns

  • Shure

sm-58       4    vocals
beta-57     1    snare

  • Heil

pr-22        2   vocals
Stands

  • 2 tall booms tripod base,  6 tall boom round base,  6 short boom,  2 LP Claw,  3 small 604 claw

also:

3 bss brand active di,     1 fire-eye brand acoustic pre-amp
1 AKG D-112 mic,    1 each audix om-5, om-6

If approved by Artist, recordings may be done by multitrack recorder or via room mics (we have house room mics with splitters-note that taping restricted to the live split accessible by up to 12 recorders).  ABSOLUTELY NO 2-TRACK BOARD MIXES ARE PERMITTED.

is there a backline?

YES:

  • Yamaha Stage Custom
  • 22″ kick
  • 10″ and 12″ rack toms
  • 14″ floor
  • DW 5.5″x 14″ snare
  • 3 cymbal stands
  • Tama snare stand
  • Tama hi hat stand
  • DW 5000 Single Chain Kick Pedal
  • NO CYMBALS
  • 1 Hartke 3500 bass head
  • 1 avatar 1×15 bass cabinet
  • 1 avatar 1×12 w/ horn bass cabinet
  • 1 Peavey kb150 3 channel keyboard amp
  • 1 fender blues jr. amp (reverb doesn’t work)

Other Momo’s Mentions

Austin Chronicle, Margaret Moser, June 6, 2008, interview with Dan Dyer

XLent Music, Michael Corcoran, May 21, 2008, interview with Suzanna Choffel